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  <title>ScreenAnarchy: Reviews</title>
  <link>http://screenanarchy.com/all/reviews/</link>
  <description></description>
  <language>en</language>
  <copyright>Copyright 2026 ScreenAnarchy LLC</copyright>
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   Fri, 06 Nov 2026 17:02:05 -0500
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   <item>
    <title>BEING HEUMANN Review: Disability Rights Biopic That&apos;s Both Feel-Good and Bittersweet</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/11/sa_being_heumann_430-thumb-200x200-107371.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     While we tend to go through life without paying much attention to this fact, most of the things that surround us every day, making our lives more comfortable, are there as the result of someone dedicating a considerable, at times, insurmountable amount of time and effort to put them there. One such thing is curb cuts, and one of such people was the late Judith Heumann, an iconic disability rights activist, whose memoir, published in 2020, has become the basis of the new film by Sian Heder, a sort of spiritual follow-up to her Best Picture-winning CODA. Being Heumann doesn&rsquo;t strive to cover its heroine&rsquo;s whole journey, like many biopics do, opting instead to draw her portrait by highlighting one, albeit not brief, page of...
     <p>
      [<a href="https://screenanarchy.com/2026/11/being-heumann-review.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/being-heumann-review.html</link>
    <guid>https://screenanarchy.com/2026/11/being-heumann-review.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      Indie
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Apple Original Films
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Judy Heumann
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Mark Ruffalo
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Ruth Madeley
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Siân Heder
     </category>
    
    <pubDate>Fri, 06 Nov 2026 17:02:05 -0500</pubDate>
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   <item>
    <title>SILVER SCREAMERS Review: Filmmaking in Your Golden Years</title>
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     Growing old isn&rsquo;t easy. Aside from the obvious physical changes &ndash; going bald, grey hair, wrinkles, back pain, body aches, and so forth &ndash; there&rsquo;s the question of what you do with yourself once you&rsquo;ve reached retirement age and no longer have the energy to do everything you want. Bringing of all this up when you&rsquo;re in your mid 40s could be seen as an overreaction on this reviewer&rsquo;s part, but it&rsquo;s something you can&rsquo;t help thinking about at this stage. It doesn&rsquo;t all have to be doom and gloom, though; there&rsquo;s still plenty for people to do in their golden years. Silver Screamers is an amusing, affectionate documentary that shows how senior citizens can still remain productive, upbeat and have lots to share with...
     <p>
      [<a href="https://screenanarchy.com/2026/11/silver-screamers-review-filmmaking-in-your-golden-years.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/silver-screamers-review-filmmaking-in-your-golden-years.html</link>
    <guid>https://screenanarchy.com/2026/11/silver-screamers-review-filmmaking-in-your-golden-years.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      Indie
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     <category domain="http://www.sixapart.com/ns/types#tag">
      bloodstream
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     <category domain="http://www.sixapart.com/ns/types#tag">
      documentary
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      sean cisterna
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     <category domain="http://www.sixapart.com/ns/types#tag">
      silver screamers
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     <category domain="http://www.sixapart.com/ns/types#tag">
      the rug
     </category>
    
    <pubDate>Fri, 06 Nov 2026 10:32:10 -0500</pubDate>
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    <title>I PLAY ROCKY Review: Making Of Biopic Leans Heavily into Underdog Nostalgia</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/11/sa_i_play_rocky_ver2_430-thumb-200x200-107380.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     For Sylvester Stallone (Anthony Ippolito), a little-known, struggling actor-turned-screenwriter, the phrase &ldquo;I play Rocky&rdquo; in Peter Farrelly&rsquo;s (Ricky Stanicky, The Greatest Beer Run Ever, Green Book) biopic about the making of 1976&rsquo;s Best Picture winner, Rocky, becomes a life-altering mantra, an expression of supreme self-belief. &nbsp; Time and again, Hollywood producers Irwin Winkler (P.J. Byrne) and Robert Chartoff (Toby Kebbell) return to the actor-turned-screenwriter and his screenplay, increasing their offer, sometimes doubling or even tripling it, but Stallone remains steadfast. Stallone will sell the script to Winkler, Chartoff, and their studio boss, Sandy Maddox (an imperious Tracy Letts), only if he gets to play the title role himself.&nbsp; &nbsp; While the audience certainly knows the outcome (he holds out, wins the role, and goes on...
     <p>
      [<a href="https://screenanarchy.com/2026/11/i-play-rocky-review-making-of-biopic-leans-heavily-into-underdog-nostalgia-1.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/i-play-rocky-review-making-of-biopic-leans-heavily-into-underdog-nostalgia-1.html</link>
    <guid>https://screenanarchy.com/2026/11/i-play-rocky-review-making-of-biopic-leans-heavily-into-underdog-nostalgia-1.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      Hollywood
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     <category domain="http://www.sixapart.com/ns/types#tag">
      AnnaSophia Robb
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      I Play Rocky
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Jay Duplass
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Matt Dillon
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     <category domain="http://www.sixapart.com/ns/types#tag">
      P. J. Byrne
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Peter Farrelly
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Peter Gamble
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Stephan James
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Stephen James
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Sylvester Stallone
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Toby Kebbell
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Tracy Letts.
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    <pubDate>Fri, 06 Nov 2026 09:02:09 -0500</pubDate>
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    <title>PARADISE LOST Review: Yeon Sang-ho&apos;s Thriller About AI&apos;s Role in Grief Is More Underwhelming Than Thought-Provoking</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/11/paradiselostposter-thumb-200x200-107377.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Director Yeon Sang-ho ('Train to Busan') doesn't make the most of some interesting and timely ideas in his latest film.
     <p>
      [<a href="https://screenanarchy.com/2026/11/paradise-lost-review-yeon-sang-hos-thriller-about-ais-role-in-grief-is-more-underwhelming-than-thoug.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/paradise-lost-review-yeon-sang-hos-thriller-about-ais-role-in-grief-is-more-underwhelming-than-thoug.html</link>
    <guid>https://screenanarchy.com/2026/11/paradise-lost-review-yeon-sang-hos-thriller-about-ais-role-in-grief-is-more-underwhelming-than-thoug.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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      Asia
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      International
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Bae Hyun-sung
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Kim Hyun-joo
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Paradise Lost
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Yeon Sang-ho
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    <pubDate>Thu, 05 Nov 2026 15:32:03 -0500</pubDate>
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   <item>
    <title>Morbido 2026 Review: LA MANCHA (YOU&apos;RE IT), García Bogliano Brothers Unite Powers for Unconventional, Experimental Playground Terror</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/09/Youre it_4 Babette Wallovits copyright Salto de Fe Films-thumb-200x200-106833.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Inside an amusement park, a group of children and teenagers become trapped in a dark curse connecting them to a parallel world.
     <p>
      [<a href="https://screenanarchy.com/2026/11/morbido-2026-review-la-mancha-youre-it.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/morbido-2026-review-la-mancha-youre-it.html</link>
    <guid>https://screenanarchy.com/2026/11/morbido-2026-review-la-mancha-youre-it.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
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      Indie
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      International
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     <category domain="http://www.sixapart.com/ns/types#category">
      Latin America
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     <category domain="http://www.sixapart.com/ns/types#category">
      Morbido
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     <category domain="http://www.sixapart.com/ns/types#category">
      Weird
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    <pubDate>Thu, 05 Nov 2026 13:15:00 -0500</pubDate>
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    <title>Morbido 2026 Review: TALKING TO A STRANGER, Gigi Saul Guerrero Shines in a Distressing Maternal Nightmare</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/11/Dewatermark_1793551720353-thumb-200x200-107305.png" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Consumed by prescription pills and overwhelming guilt after a tragic house fire kills her young son, a grieving mother becomes the prey of a demonic entity that takes the boy's face to fracture her family.
     <p>
      [<a href="https://screenanarchy.com/2026/11/morbido-2026-review-talking-to-a-tranger.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/morbido-2026-review-talking-to-a-tranger.html</link>
    <guid>https://screenanarchy.com/2026/11/morbido-2026-review-talking-to-a-tranger.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      Festivals
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     <category domain="http://www.sixapart.com/ns/types#category">
      International
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     <category domain="http://www.sixapart.com/ns/types#category">
      Latin America
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     <category domain="http://www.sixapart.com/ns/types#category">
      Morbido
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    <pubDate>Thu, 05 Nov 2026 12:00:00 -0500</pubDate>
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    <title>GODZILLA MINUS ZERO Review: Bigger, Badder, Sadder, And Louder Than Ever</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/11/gminuszero-thumb-200x200-107341.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     In 2023, director Takashi Yamazaki reinvigorated the long-running Godzilla film series with Godzilla Minus One, a complete reimagining of the iconic character and its origins that floored audiences and critics alike. With a human story that explored the lingering fallout of the end of the second World War while also introducing one of Godzilla&rsquo;s most fearsome and impressive avatars to date, Minus One quickly rose to the top of fan rankings and even scored an Academy Award win for Best Visual FX from a scrappy skeleton crew that included the director, himself. Yamazaki returns to the series with a follow up that has very big, one might say monstrous, expectations to live up to. Does this sequel fit the bill? Boy, does it ever. Bigger,...
     <p>
      [<a href="https://screenanarchy.com/2026/11/godzilla-minus-zero-review.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/godzilla-minus-zero-review.html</link>
    <guid>https://screenanarchy.com/2026/11/godzilla-minus-zero-review.html</guid>
    
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      International
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    <pubDate>Thu, 05 Nov 2026 09:02:47 -0500</pubDate>
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    <title>Kino Chases Italian Thrills with New ITALO-CRIME 4K Release</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/11/Kino-Lorber_Italo-Crime_4k_430-thumb-200x200-107370.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Plus more descents into criminal behavior from KL Studio Classics! --  Walter Hill's 'Johnny Handsome,' 'Tomas Alfredson's 'The Snowman,' and James Dearden's 'A Kiss Before Dying.'  
     <p>
      [<a href="https://screenanarchy.com/2026/11/kino-chases-italian-thrills-with-new-italo-crime-4k-release.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/kino-chases-italian-thrills-with-new-italo-crime-4k-release.html</link>
    <guid>https://screenanarchy.com/2026/11/kino-chases-italian-thrills-with-new-italo-crime-4k-release.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      Hollywood
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      International
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     <category domain="http://www.sixapart.com/ns/types#tag">
      home video
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Kino Lorner
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      KL Studio Classics
     </category>
    
    <pubDate>Thu, 05 Nov 2026 09:02:09 -0500</pubDate>
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    <title>NEW GROUP Review: The Horrors of Falling in Line</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/11/sa_New-Group_860-thumb-200x200-107367.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Yuzu Aoki and Anna Yamada star in director Yûta Shimotsu's film, heading for Shudder. 
     <p>
      [<a href="https://screenanarchy.com/2026/11/new-group-review-the-horrors-of-falling-in-line.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/new-group-review-the-horrors-of-falling-in-line.html</link>
    <guid>https://screenanarchy.com/2026/11/new-group-review-the-horrors-of-falling-in-line.html</guid>
    
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      Asia
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     <category domain="http://www.sixapart.com/ns/types#category">
      International
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Anna Yamada
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      New Group
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Shudder
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Yûta Shimotsu
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Yuzu Aoki
     </category>
    
    <pubDate>Wed, 04 Nov 2026 16:02:04 -0500</pubDate>
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    <title>WILD HORSE NINE Review: Colorful and Beautiful, Yet Bloody Ephemeral</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/11/sa_wild-horse-nine_430-thumb-200x200-107346.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Writer/director Martin McDonagh's latest film stars John Malkovich, Sam Rockwell, Steve Buscemi, Mariana di Girolamo, Ailín Salas, with Tom Waits and Parker Posey. 
     <p>
      [<a href="https://screenanarchy.com/2026/11/wild-horse-nine-review.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/wild-horse-nine-review.html</link>
    <guid>https://screenanarchy.com/2026/11/wild-horse-nine-review.html</guid>
    
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      International
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Ailín Salas
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     <category domain="http://www.sixapart.com/ns/types#tag">
      John Malkovich
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Mariana di Girolamo
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Martin McDonagh
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Parker Posey
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Sam Rockwell
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Steve Buscemi
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Tom Waits
     </category>
    
    <pubDate>Wed, 04 Nov 2026 12:02:12 -0500</pubDate>
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    <title>György Pálfi&apos;s HEN Review: Cackling All the Way</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/11/sa_HEN_Poster_Web_430-thumb-200x200-107345.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Director György Pálfi's new provocation stars Ioannis Kokiasmenos, Maria Diakopanagioti, and Argyris Pantazaras. The language(s)? "Greek, Cackling." 
     <p>
      [<a href="https://screenanarchy.com/2026/11/gyorgy-palfis-hen-review-cackling-all-the-way.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/gyorgy-palfis-hen-review-cackling-all-the-way.html</link>
    <guid>https://screenanarchy.com/2026/11/gyorgy-palfis-hen-review-cackling-all-the-way.html</guid>
    
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      International
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     <category domain="http://www.sixapart.com/ns/types#tag">
      György Pálfi
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     <category domain="http://www.sixapart.com/ns/types#tag">
      HenMovie
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    <pubDate>Wed, 04 Nov 2026 11:02:11 -0500</pubDate>
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   <item>
    <title>TRAUMA OR, MONSTERS ALL Review: Things That Go Bump in the Night. And Those Who Hunt Them Down.</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/11/sa_trauma-or-monsters-all-key-art_430-thumb-200x200-107340.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Larry Fessenden directs. Laetitia Hollard, Aitana Doyle, and Barbara Crampton star. 
     <p>
      [<a href="https://screenanarchy.com/2026/11/trauma-or-monsters-all-review.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/trauma-or-monsters-all-review.html</link>
    <guid>https://screenanarchy.com/2026/11/trauma-or-monsters-all-review.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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      Indie
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Aitana Doyle
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Barbara Crampton
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Laetitia Hollard
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Larry Fessenden
     </category>
    
    <pubDate>Tue, 03 Nov 2026 14:02:02 -0500</pubDate>
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   <item>
    <title>THE LAST TEMPTATION OF BECKY Review: Time to Kill the Nazis Again</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/11/sa_last_temptation_of_becky_430-thumb-200x200-107339.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Lulu Wilson, Kate Siegel, and Brandon Flynn star, with James Urbaniak and Neil Patrick Harris. 
     <p>
      [<a href="https://screenanarchy.com/2026/11/the-last-temptation-of-becky-review-time-to-kill-the-nazis-again.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/the-last-temptation-of-becky-review-time-to-kill-the-nazis-again.html</link>
    <guid>https://screenanarchy.com/2026/11/the-last-temptation-of-becky-review-time-to-kill-the-nazis-again.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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      Indie
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Brandon Flynn
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     <category domain="http://www.sixapart.com/ns/types#tag">
      James Urbaniak
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Kate Siegel
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Lulu Wilson
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Neil Patrick Harris
     </category>
    
    <pubDate>Tue, 03 Nov 2026 13:02:01 -0500</pubDate>
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   <item>
    <title>Busan 2026 Review: INHERIT, Seductive Thai Insect Horror</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/11/sa_Inherit_11_OC_02_Still_1_Main_Inherit_860-thumb-200x200-107334.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Director Banjong Pisanthanakun's thriller stars Davika Hoorne and Thitiya Jirapornsilp. (Watch the trailer.) 
     <p>
      [<a href="https://screenanarchy.com/2026/11/busan-2026-review-inherit-seductive-thai-insect-horror.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/busan-2026-review-inherit-seductive-thai-insect-horror.html</link>
    <guid>https://screenanarchy.com/2026/11/busan-2026-review-inherit-seductive-thai-insect-horror.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      Asia
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     <category domain="http://www.sixapart.com/ns/types#category">
      Busan IFF
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     <category domain="http://www.sixapart.com/ns/types#category">
      International
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Banjong Pisanthanakun
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Davika HOORNE
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Thailand
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Thitiya JIRAPORNSILP
     </category>
    
    <pubDate>Mon, 02 Nov 2026 19:02:07 -0500</pubDate>
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   <item>
    <title>Made in Prague 2026 Review: LITTLE THIEF, Brisk, Assured Small-Town Heist Comedy</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/11/sa_LittleThief_860-thumb-200x200-107330.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Czech filmmaker Ondřej Hudeček's brisk Moravian heist comedy turns pandemic-era insurance fraud into a small-town Robin Hood story, mixing regional farce with sympathy for its flawed hustlers.
     <p>
      [<a href="https://screenanarchy.com/2026/11/made-in-prague-2026-review-little-thief-brisk-assured-small-town-heist-comedy.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/11/made-in-prague-2026-review-little-thief-brisk-assured-small-town-heist-comedy.html</link>
    <guid>https://screenanarchy.com/2026/11/made-in-prague-2026-review-little-thief-brisk-assured-small-town-heist-comedy.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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      Europe
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     <category domain="http://www.sixapart.com/ns/types#category">
      Indie
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Little Thief
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Made in Prague
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Ondřej Hudeček
     </category>
    
    <pubDate>Mon, 02 Nov 2026 13:02:01 -0500</pubDate>
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   <item>
    <title>QUEEN AT SEA Review: A Masterclass in Acting, Writing, and Directing</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/sa_Queen at Sea - Poster_430-thumb-200x200-107300.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Returning to feature-film filmmaking after an altogether too long 18-year hiatus, writer-director Lance Hammer&rsquo;s (Ballast) drama, Queen at Sea, revolves around an incredibly difficult, nearly impossible end-of-life decision. &nbsp; As Leslie&rsquo;s (Anna Calder-Marshall) dementia robs her of her mind, memory, and identity, how much agency or autonomy should she continue to receive, whether from her loving husband, Martin (Tom Courteney), of almost 20 years, her daughter, Amanda (Juliette Binoche), a middle-aged professor on sabbatical, or the state&rsquo;s relevant institutions, when, inevitably, they&rsquo;re called upon to intervene on Leslie&#39;s behalf and her best interests?&nbsp; &nbsp; From its first moments mirroring Freud&rsquo;s primal scenes to its last devastating moments, that question hovers over Queen at Sea as it unfolds over several days, weeks, and months. For the...
     <p>
      [<a href="https://screenanarchy.com/2026/10/queen-at-sea-review-a-masterclass-in-acting-writing-and-directing.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/queen-at-sea-review-a-masterclass-in-acting-writing-and-directing.html</link>
    <guid>https://screenanarchy.com/2026/10/queen-at-sea-review-a-masterclass-in-acting-writing-and-directing.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
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      Indie
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      International
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     <category domain="http://www.sixapart.com/ns/types#category">
      UK, NZ &amp; Australia
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      US &amp; Canada
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Anna Calder-Marshall
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Florence Hunt
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Juliette Binoche
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Lance Hammer
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Queen at Sea
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Tom Courtenay
     </category>
    
    <pubDate>Fri, 30 Oct 2026 10:02:10 -0500</pubDate>
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   <item>
    <title>EVEREST: THE OTHER SIDE Review: Documenting a Disastrous Expedition</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/BigE_2025_Chin_IMG_0236-thumb-200x200-107299.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     In films like Meru and Free Solo, Jimmy Chin set a high bar for mountaineering documentaries. His latest, co-directed with Elizabeth Chai Vasarhelyi, is an extremely challenging work that questions the very idea of climbing. Everest: The Other Side is pitched as a story about Jim Morrison&#39;s attempt to be the first person to ski down from the summit of Everest. Morrison wants to ski the North Side, a steep rock face that narrows through two couloirs. He will be joined by his wife Hilaree Nelson, an elite climber. Since the North Face is in the Republic of China, the skiers have to run a gauntlet of political obstacles. Furthermore, they need a support team of Sherpas, cinematographers, doctors, logistics experts, and patrons. That&#39;s on...
     <p>
      [<a href="https://screenanarchy.com/2026/10/everest-the-other-side-review-documenting-a-disastrous-expedition.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/everest-the-other-side-review-documenting-a-disastrous-expedition.html</link>
    <guid>https://screenanarchy.com/2026/10/everest-the-other-side-review-documenting-a-disastrous-expedition.html</guid>
    
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      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      Hollywood
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Chai Vasarhelyi
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      documentary
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Everest
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Jimmy Chin
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      National Geographic
     </category>
    
    <pubDate>Fri, 30 Oct 2026 09:02:09 -0500</pubDate>
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   <item>
    <title>THE FIRST FILMS OF SAMUEL FULLER Blu-ray Review: Birth of a Genre Master</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/sa_FirstFilms-SamuelFuller_430-thumb-200x200-107291.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Samuel Fuller's first three genre flicks, all independently produced, introduced an irascible, pungent cinematic voice. 
     <p>
      [<a href="https://screenanarchy.com/2026/10/the-first-films-of-samuel-fuller-blu-ray-review-birth-of-a-genre-master.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/the-first-films-of-samuel-fuller-blu-ray-review-birth-of-a-genre-master.html</link>
    <guid>https://screenanarchy.com/2026/10/the-first-films-of-samuel-fuller-blu-ray-review-birth-of-a-genre-master.html</guid>
    
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      Reviews
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      Indie
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Eclipse Series
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Samuel Fuller
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      The Criterion Collection
     </category>
    
    <pubDate>Thu, 29 Oct 2026 19:50:07 -0500</pubDate>
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   <item>
    <title>CLOSURE Review: Grief and Hope Entwine in This Powerful, Beautiful Doc</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/sa_12special_closure_430-thumb-200x200-107280.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     A film by Michał Marczak. 
     <p>
      [<a href="https://screenanarchy.com/2026/10/closure-review.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/closure-review.html</link>
    <guid>https://screenanarchy.com/2026/10/closure-review.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      International
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Closure
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Michał Marczak
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    <pubDate>Thu, 29 Oct 2026 11:02:11 -0500</pubDate>
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   <item>
    <title>Brooklyn Horror 2026 Review: SPLIT ROCK Explores the Horrors of Nature </title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/sa_split-rock_860-thumb-200x200-107272.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Clark Backo and Drew Ray Tanner encounter horror in the desert, courtesy of director Ryan Glover. 
     <p>
      [<a href="https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-split-rock.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-split-rock.html</link>
    <guid>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-split-rock.html</guid>
    
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      Reviews
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      Brooklyn Horror
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     <category domain="http://www.sixapart.com/ns/types#category">
      International
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     <category domain="http://www.sixapart.com/ns/types#category">
      US &amp; Canada
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Clark Backo
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Drew Ray Tanner
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Ryan Glover
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Split Rock
     </category>
    
    <pubDate>Wed, 28 Oct 2026 13:02:01 -0500</pubDate>
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   <item>
    <title>Home Video Roundup: THE PINK PANTHER MASTERPIECE COLLECTION 4K, DEADLY BLESSING 4K, JESUS CHRIST SUPERSTAR 4K, More from Kino</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/sa_PinkPather-Masterpiece-Collection_860-thumb-200x200-107270.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     The Pink Panther Masterpiece Collection 4K One of the fun things about reviewing physical media is that it gives me a good excuse to go down all kinds of rabbit holes looking for trivia. The character of Inspector Clouseau from the&nbsp;Pink Panther&nbsp;films is a case in point. Most people only associate Peter Sellers with the role of the bumbling French detective. It might surprise you to learn that no fewer than three separate actors have played Inspector Clouseau. Four, if you count the Roger Moore cameo in&nbsp;Curse of the Pink Panther&nbsp;(1983). &nbsp; In 2006 the series was revived, starring Steve Martin in&nbsp;The Pink Panther (2006), and was successful enough to get a 2009 sequel imaginatively titled&nbsp;Pink Panther 2. Steve Martin is a truly great comedian...
     <p>
      [<a href="https://screenanarchy.com/2026/10/home-video-roundup-the-pink-panther-masterpiece-collection-4k-deadly-blessing-4k-jesus-christ-supers.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/home-video-roundup-the-pink-panther-masterpiece-collection-4k-deadly-blessing-4k-jesus-christ-supers.html</link>
    <guid>https://screenanarchy.com/2026/10/home-video-roundup-the-pink-panther-masterpiece-collection-4k-deadly-blessing-4k-jesus-christ-supers.html</guid>
    
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      Weird
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Deadly Blessing
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Hell&apos;s Highway
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Jesus Christ Superstar
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Johnny Handsome
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Mickey Rourke
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Peter Sellers
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Pink Panther
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     <category domain="http://www.sixapart.com/ns/types#tag">
      The Bubble 3D
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Unearthly Stranger
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Wes Craven
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    <pubDate>Wed, 28 Oct 2026 11:02:11 -0500</pubDate>
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   <item>
    <title>WELCOME II THE TERRORDOME Blu-ray Review: Contemporary, Raging Folklore Restored</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/terrordome 1-thumb-200x200-107215.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     It took until (the shamefully late year of) 1994 for the first independent feature film by a Black Britsh woman got a theatrical release. But when it finally happened,&nbsp;Welcome II The Terrordome&nbsp;was worth the wait. A film that deftly combined folklore, science fiction, and hip hop, the feature debut of Ngozi Onwurah is a song of love and anger, a call of the ancestors and a scream to the society in which she lived. And while it has had VHS and DVD releases in the past, it finally has a long-awaited restoration from Criterion. Filmed over a few years in stages as the funding was cobbled together, it tells the story of the people who live in what is colloquially called Terrordome, a neighbourhood where...
     <p>
      [<a href="https://screenanarchy.com/2026/10/welcome-ii-the-terrordome-blu-ray-review.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/welcome-ii-the-terrordome-blu-ray-review.html</link>
    <guid>https://screenanarchy.com/2026/10/welcome-ii-the-terrordome-blu-ray-review.html</guid>
    
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      Reviews
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      International
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     <category domain="http://www.sixapart.com/ns/types#category">
      UK, NZ &amp; Australia
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    <pubDate>Wed, 28 Oct 2026 10:00:00 -0500</pubDate>
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   <item>
    <title>THE DEADLY SPAWN 4K Review</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/DeadlySpawn 4K-thumb-200x200-107229.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     There&rsquo;s a vast spectrum of cinema to love out there, from pre-Code salaciousness, to grimy grindhouse flicks, to the masters of film in the Criterion Collection. Today, I&rsquo;m to review one of the more indie, DIY movies to come out of the early &lsquo;80s, The Deadly Spawn. There are a few versions of this release from boutique genre company Synapse Films: a limited edition of 5,000 4K/Blu-ray with slipcover; a Blu-ray standard edition, and a 4K standard edition, which is what I received for review. The street date is November 10th, and as of this review, all editions should be available, but I only see the 4K/Blu-ray combo limited edition and older DVD release for order on the Synapse website. I did find the Blu-ray...
     <p>
      [<a href="https://screenanarchy.com/2026/10/the-deadly-spawn-4k-review.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/the-deadly-spawn-4k-review.html</link>
    <guid>https://screenanarchy.com/2026/10/the-deadly-spawn-4k-review.html</guid>
    
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      US &amp; Canada
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      Weird
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      4K review
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     <category domain="http://www.sixapart.com/ns/types#tag">
      DIY
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     <category domain="http://www.sixapart.com/ns/types#tag">
      practical effects
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Synapse Films
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    <pubDate>Wed, 28 Oct 2026 09:00:00 -0500</pubDate>
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   <item>
    <title>BREEDER Review: Creepy Poodle Lady Extends Dinner Invitation, with Discomfort and Dark Humor on the Menu</title>
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     Daniel Doheny, Dot-Marie Jones, Maddie Phillips, and Tanaya Beatty star in a film by director and writer Alex Goyette. 
     <p>
      [<a href="https://screenanarchy.com/2026/10/breeder-review.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/breeder-review.html</link>
    <guid>https://screenanarchy.com/2026/10/breeder-review.html</guid>
    
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      Reviews
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      Indie
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Alex Goyette
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Breeder
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Daniel Doheny
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Dot-Marie Jones
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Maddie Phillips
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Tanaya Beatty
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    <pubDate>Tue, 27 Oct 2026 12:02:12 -0500</pubDate>
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   <item>
    <title>Brooklyn Horror 2026 Review: SENDER, You&apos;ve Got (Some Freaky) Mail</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/sa_sender_2026_860x484-thumb-200x200-107233.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Britt Lower, Rhea Seehorn, Anna Baryshnikov, David Dastmalchian, and Jamie Lee Curtis star in director Russell Goldman's "psychological conspiracy-laden thriller." 
     <p>
      [<a href="https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-sender.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-sender.html</link>
    <guid>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-sender.html</guid>
    
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Anna Baryshnikov
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     <category domain="http://www.sixapart.com/ns/types#tag">
      BHFF 2026
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Britt Lower
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Brooklyn Horror Film Festival
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     <category domain="http://www.sixapart.com/ns/types#tag">
      David Dastmalchian
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Jamie Lee Curtis
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Rhea Seehorn
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Russell Goldman
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    <pubDate>Tue, 27 Oct 2026 11:02:11 -0500</pubDate>
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   <item>
    <title>Guillermo del Toro&apos;s Glory, FRANKENSTEIN 4K Review</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/Frankenstein 4K-thumb-200x200-107228.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Frankenstein has always been Guillermo del Toro&rsquo;s white whale, as anyone following and paying attention to the director, knows, and we&rsquo;re big fans of GDT here at ScreenAnarchy. (See Kurt&rsquo;s original festival review out of TIFF here and one of our signature, team capsule collection of thoughts here.) I don&rsquo;t have a ton of love for Netflix these last few years, but financing this Gothic opera with a focus on family melodrama is one of the best decisions any studio has made in the last decade, at least. Thankfully, they&rsquo;ve also made the rare choice to unleash one of their films on physical media, and Frankenstein is out now from the Criterion Collection in your choice of Blu-ray, DVD, or a 4K/Blu-ray combo release, which...
     <p>
      [<a href="https://screenanarchy.com/2026/10/guillermo-del-toros-glory-frankenstein-4k-review.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/guillermo-del-toros-glory-frankenstein-4k-review.html</link>
    <guid>https://screenanarchy.com/2026/10/guillermo-del-toros-glory-frankenstein-4k-review.html</guid>
    
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      Criterion Collection
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     <category domain="http://www.sixapart.com/ns/types#tag">
      director&apos;s cut
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Guillermo del Toro
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    <pubDate>Tue, 27 Oct 2026 09:00:00 -0500</pubDate>
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   <item>
    <title>Brooklyn Horror 2026 Review: MOUNTAIN KING, A Different Kind of Family Movie</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/sa_mountain-king_860-thumb-200x200-107225.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Directed by Gabrielle Christensen, the film stars Hannah Deale, Carter Sirianni, Iryna Malygina, Keoki Trask, Juan Paulo Munevar, and Sarah Kim. 
     <p>
      [<a href="https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-mountain-king.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-mountain-king.html</link>
    <guid>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-mountain-king.html</guid>
    
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      Brooklyn Horror
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      BHFF
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Brooklyn Horror Film Festival
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Carter Sirianni
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Directed by Gabrielle Christensen
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Iryna Malygina
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Juan Paulo Munevar
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Keoki Trask
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Sarah Kim
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      the film stars Hannah Deale
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    <pubDate>Mon, 26 Oct 2026 11:02:11 -0500</pubDate>
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   <item>
    <title>GHOST IN THE CELL Review: Joko Anwar&apos;s Prison-Set Horror Comedy Is a Gory Riot. On Digital Tomorrow. </title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/sa_GhostInTheCell_4_860-thumb-200x200-107224.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Dimas, an investigative reporter from Jakarta, is trying to finish an edit on a deforestation expose when he is framed for his editor&#39;s horrific murder and tossed into prison. He ends up in the rough Cell Block C, where he gets taken in by Anggoro, a respected convict who spends half his time in solitary for protecting fellow prisoners. &nbsp; Anggoro runs with a tight, weird crew of social outcasts. They include Six, an inmate who claims he can see spirits (this is important), alongside a low-key smart former professor, a religious man, and a con artist. They are all just trying to get by without drawing the attention of the incarcerated hitman, Tokek. &nbsp; &nbsp; Things get messy fast (and by messy we mean...
     <p>
      [<a href="https://screenanarchy.com/2026/10/ghost-in-the-cell-joko-anwars-riot-horror-comedy-on-digital-tomorrow.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/ghost-in-the-cell-joko-anwars-riot-horror-comedy-on-digital-tomorrow.html</link>
    <guid>https://screenanarchy.com/2026/10/ghost-in-the-cell-joko-anwars-riot-horror-comedy-on-digital-tomorrow.html</guid>
    
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      International
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Joko Anwar
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    <pubDate>Mon, 26 Oct 2026 09:00:00 -0500</pubDate>
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   <item>
    <title>Camera Japan Rotterdam 2026 Review: THE OBSESSED</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/CJRotterdam2026-TheObsessed-main-thumb-200x200-107128.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Director Takahashi Wataru may not be a household name yet among anime fans, but the man has built an impressive resumee already. An assistant to Miyazaki at Studio Ghibli, he was one of the people working on the change from traditional animation to digital, doing the actual camera shots, the compositing, and later moving to CGI, working on such classics as Princess Mononoke, Spirited Away and Howl's Moving Castle. And he worked for other studios as well: he did storyboards for several Crayon Shin-chan films and directed four of those himself. Last year he made an anime version of a very popular novel by Ishii Shinji called Obsessed Man, released here with the title The Obsessed, about a man called Guiseppe, who constantly becomes obsessed...
     <p>
      [<a href="https://screenanarchy.com/2026/10/camera-japan-rotterdam-2026-review-the-obsessed.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/camera-japan-rotterdam-2026-review-the-obsessed.html</link>
    <guid>https://screenanarchy.com/2026/10/camera-japan-rotterdam-2026-review-the-obsessed.html</guid>
    
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      Camera Japan
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    <pubDate>Sun, 25 Oct 2026 08:00:05 -0500</pubDate>
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   <item>
    <title>KEN RUSSELL&apos;S THE DEVILS Review: One of 2026&apos;s Best Films Was Released 55 Years Ago</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/sa_ken-russells_the-devils_430-thumb-200x200-107206.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     [Uncensored, restored, and rereleased,&nbsp;Ken Russell&rsquo;s The Devils, a controversy-courting masterpiece of religious horror, repression, and persecution, returns for a limited theatrical run under the auspices of Warner Bros. and its Clockwork specialty film division.] &nbsp; Condemned in 1971 for its supposed blasphemous themes, prolonged onscreen nudity, and depictions of sadomasochistic torture, The Devils was &mdash; and remains &mdash; far more than mere provocation aimed at offending reactionary moviegoers or right-wing cultural critics. &nbsp; Even now, conservative-leaning Catholics will take offense at the themes, ideas, and messages embedded in Russell&#39;s (Altered States, Tommy, Women in Love)&nbsp;film. That alone makes The Devils&nbsp;essential viewing for contemporary audiences, as vital today as it was 55 years ago. &nbsp; For Urbain Grandier (Oliver Reed), a 17th-century&nbsp; Roman Catholic priest, celibacy,...
     <p>
      [<a href="https://screenanarchy.com/2026/10/ken-russells-the-devils-review-one-of-2026s-best-films-was-released-in-1971.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/ken-russells-the-devils-review-one-of-2026s-best-films-was-released-in-1971.html</link>
    <guid>https://screenanarchy.com/2026/10/ken-russells-the-devils-review-one-of-2026s-best-films-was-released-in-1971.html</guid>
    
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      Aldous Huxley
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Christopher Logue
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Dudley Sutton
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     <category domain="http://www.sixapart.com/ns/types#tag">
      John Whiting
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Ken Russell
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Max Adrian
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Michael Gothard
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Murray MelvinMurray Melvin
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Oliver Reed
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      The Devils
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Vanessa Redgrave
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    <pubDate>Fri, 23 Oct 2026 16:32:04 -0500</pubDate>
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   <item>
    <title>A TALENT FOR MURDER Review: Mirren and Ehrenreich Elevate an Otherwise Middling Psychological Thriller</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/sa_A Talent For Murder Poster_430-thumb-200x200-107195.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Over five decades, Patricia Highsmith wrote 22 novels and numerous short stories. &nbsp; Of those singular works, seven stand out in the popular imagination: the five Ripley-centered novels, Strangers on a Train (published in 1950 and adapted by Alfred Hitchcock in 1951 into a noir classic co-starring Farley Granger and Robert Walker), and&nbsp;The Price of Salt (aka Carol), written under a pseudonym and published in 1952. &nbsp; Despite other work and additional successes, longtime Highsmith fans and, thus, publishers, hoped Ripley would return for a sixth, final novel. She never did. Highsmith passed away in 1995 after a lengthy battle with cancer and other chronic ailments. &nbsp; While Highsmith&rsquo;s history as a racist, antisemite, and all-around misanthrope has been well documented, she remains among the...
     <p>
      [<a href="https://screenanarchy.com/2026/10/a-talent-for-murder-review-mirren-and-ehrenreich-elevate-an-otherwise-middling-psychological-thrille.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/a-talent-for-murder-review-mirren-and-ehrenreich-elevate-an-otherwise-middling-psychological-thrille.html</link>
    <guid>https://screenanarchy.com/2026/10/a-talent-for-murder-review-mirren-and-ehrenreich-elevate-an-otherwise-middling-psychological-thrille.html</guid>
    
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      UK, NZ &amp; Australia
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     <category domain="http://www.sixapart.com/ns/types#category">
      US &amp; Canada
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     <category domain="http://www.sixapart.com/ns/types#tag">
      A Talent for Murder
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Alden Ehrenreich
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Anton Corbijn
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Helen Mirren
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Joanna Murray-Smith
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Juliet Stevenson
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Olivia Cooke
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Patricia Highsmith
     </category>
    
    <pubDate>Fri, 23 Oct 2026 11:02:11 -0500</pubDate>
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   <item>
    <title>Chicago 2026 Review: NO REST FOR THE WICKED, Beautiful Genre Mashup Queer Romance </title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/No Rest for the Wicked-thumb-200x200-107188.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     For almost the first half of No Rest for the Wicked, the only thing marking it as a genre movie is its score, full of ominous electronic drones and sharp strings. The look, with foreboding aerial shots of the Faroe islands' craggy mountains and almost only natural lighting for night scenes, is also a hint; it just seems rude to think that non-genre films aren't capable of this level of literal darkness. Suffice to say that it looks and sounds like a genre film. But the content of its early scenes undercuts the sense of dread its aural and visual world conjures. Perhaps more than dread, the literal and metaphorical darkness are meant to clue us into how stuck protagonist Baldur (Egor Venned) feels on...
     <p>
      [<a href="https://screenanarchy.com/2026/10/chicago-2026-review-no-rest-for-the-wicked-beautiful-genre-mashup-queer-romance.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/chicago-2026-review-no-rest-for-the-wicked-beautiful-genre-mashup-queer-romance.html</link>
    <guid>https://screenanarchy.com/2026/10/chicago-2026-review-no-rest-for-the-wicked-beautiful-genre-mashup-queer-romance.html</guid>
    
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      International
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Chicago International Film Festival
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Egor Venned
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Kasper Kalle
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Pilou Asbæk
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    <pubDate>Fri, 23 Oct 2026 10:02:10 -0500</pubDate>
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   <item>
    <title>THE SILENCE OF THE LAMBS 4K Review: Nerve Jangling, To Say the Least</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/sa_Criterion_Silence-of-the-Lambs_4k_430-thumb-200x200-107169.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Jodie Foster and Anthony Hopkins star in Jonathan Demme's chilling adaptation of Thomas Harris' novel. 
     <p>
      [<a href="https://screenanarchy.com/2026/10/the-silence-of-the-lambs-4k-review-nerve-jangling-to-say-the-least.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/the-silence-of-the-lambs-4k-review-nerve-jangling-to-say-the-least.html</link>
    <guid>https://screenanarchy.com/2026/10/the-silence-of-the-lambs-4k-review-nerve-jangling-to-say-the-least.html</guid>
    
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Scott Glenn
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Thomas Harris
     </category>
    
    <pubDate>Thu, 22 Oct 2026 18:35:06 -0500</pubDate>
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   <item>
    <title>WILDWOOD Review: Often Breathless, Usually Reckless, Always Enchanting</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/sa_wildwood_430-thumb-200x200-107159.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Peyton Elizabeth Lee, Jacob Tremblay, and Cary Mulligan star in the animated action-adventure from director Travis Knight and LAIKA Studios. 
     <p>
      [<a href="https://screenanarchy.com/2026/10/wildwood-review-often-breathless-usually-reckless-always-enchanting.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/wildwood-review-often-breathless-usually-reckless-always-enchanting.html</link>
    <guid>https://screenanarchy.com/2026/10/wildwood-review-often-breathless-usually-reckless-always-enchanting.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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      Hollywood
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     <category domain="http://www.sixapart.com/ns/types#tag">
      animation
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Cary Mulligan
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Jacob Tremblay
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      LAIKA Studios
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Peyton Elizabeth Lee
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Travis Knight
     </category>
    
    <pubDate>Thu, 22 Oct 2026 13:02:01 -0500</pubDate>
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   <item>
    <title>CLAYFACE Review: Newly Revived DCU Saves Its Best for Third</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/sa_Clayface Poster_430-thumb-200x200-107158.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Ranked by one supposedly well-respected site as only the 73rd &ldquo;best&rdquo; Batman villain, Clayface&rsquo;s journey from the comic book panel to the big screen has taken a long, not quite circuitous route. Thanks to horror auteur Mike Flanagan (The Fall of the House of Usher, Midnight Mass, The Haunting of Hill House), a longtime fan of the DC character and his multiple iterations, including the two-part &ldquo;Feat of Clay&rdquo; origin story featured on Batman: The Animated Series, James Gunn, the current co-lead of DC&rsquo;s film division, became intrigued by Flanagan&rsquo;s unexpected pitch for a standalone live-action film for the DC character.&nbsp; Unfortunately, Flanagan&rsquo;s numerous commitments, including the recent Carrie series for Amazon&#39;s &nbsp;Prime Video and next year&rsquo;s The Exorcist: Martyrs, removed him from consideration as...
     <p>
      [<a href="https://screenanarchy.com/2026/10/clayface-review-newly-revived-dcu-saves-its-best-for-third.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/clayface-review-newly-revived-dcu-saves-its-best-for-third.html</link>
    <guid>https://screenanarchy.com/2026/10/clayface-review-newly-revived-dcu-saves-its-best-for-third.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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      Hollywood
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Clayface
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      David Dencik
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Eddie Marsan
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Hossein Amini
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      James Gunn
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      James Watkins
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Joana Ribeiro
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Max Minghella
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Mike Flanagan
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Naomi Ackie
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Tom Ryhs Harries
     </category>
    
    <pubDate>Thu, 22 Oct 2026 12:02:12 -0500</pubDate>
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   <item>
    <title>KLARA AND THE SUN Review: Uneven, Unwieldy Adaptation of Kazuo Ishiguro&apos;s Bestselling Novel</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/sa_klara_and_the_sun_430-thumb-200x200-107156.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Taika Waititi's new film stars Jenna Ortega, with Amy Adams and Natasha Lyonne. 
     <p>
      [<a href="https://screenanarchy.com/2026/10/klara-and-the-sun-review-woefully-uneven-adaptation-of-kazuo-ishiguros-novel-disappoints.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/klara-and-the-sun-review-woefully-uneven-adaptation-of-kazuo-ishiguros-novel-disappoints.html</link>
    <guid>https://screenanarchy.com/2026/10/klara-and-the-sun-review-woefully-uneven-adaptation-of-kazuo-ishiguros-novel-disappoints.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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      Hollywood
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Amy Adams
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Jenna Ortega
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Kazuo Ishiguro
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Klara and the Sun
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Mia Tharia
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Steve Buscemi
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Taika Waititi
     </category>
    
    <pubDate>Thu, 22 Oct 2026 11:02:11 -0500</pubDate>
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   <item>
    <title>Brooklyn Horror 2026 Review: POSTHUMOUS, Tapes from the Darkside </title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/sa_posthumous_860-thumb-200x200-107157.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Throughout the years, such films as Wolf Creek, The Babadook, The Loved Ones, Lake Mungo, Talk to Me, and many others collectively contributed to turning the audience into a proverbial Pavlov&rsquo;s dog: A new Australian horror movie is always a reason to get immediately excited. This year, Brooklyn Horror Film Festival features two such films in the program. One is the festival&rsquo;s Closing Night Film, Kick On, which has already received its share of much-deserved praise since premiering at the Toronto International Film Festival. The other one is Posthumous, Josh Tanner&#39;s debut feature, which also helps to uphold the reputation of Australian horror canon. Zoe (Sophie Lowe) comes back to her childhood home in hopes of dealing with some personal stuff. This journey is stalled...
     <p>
      [<a href="https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-posthumous.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-posthumous.html</link>
    <guid>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-posthumous.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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      Brooklyn Horror
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     <category domain="http://www.sixapart.com/ns/types#category">
      International
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     <category domain="http://www.sixapart.com/ns/types#category">
      UK, NZ &amp; Australia
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      BHFF 2026
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Brooklyn Horror Film Festival
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      David Roberts
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Josh Tanner
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Sophie Lowe
     </category>
    
    <pubDate>Thu, 22 Oct 2026 10:02:10 -0500</pubDate>
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   <item>
    <title>Chicago 2026 Review: THE SPIRAL Turns a Family Story Into a Faustian Nightmare</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/sa_113587-L_ESTRANEA_-_Jasmine_Trinca_and_Valeria_Bruni_Tedeschi__Credits_Paolo_Ciriello_860-thumb-200x200-107155.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     In the Italian Oscar entry, the family that makes a deal with the devil stays together.
     <p>
      [<a href="https://screenanarchy.com/2026/10/chicago-2026-review-the-spiral-turns-a-family-story-into-a-faustian-nightmare.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/chicago-2026-review-the-spiral-turns-a-family-story-into-a-faustian-nightmare.html</link>
    <guid>https://screenanarchy.com/2026/10/chicago-2026-review-the-spiral-turns-a-family-story-into-a-faustian-nightmare.html</guid>
    
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      International
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Toronto Film Festival
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     <category domain="http://www.sixapart.com/ns/types#category">
      Venice
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Adriano Giannini
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Chicago International Film Festival
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Jasmine Trinca
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Paolo Strippoli
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Romana Maggiora Vergano
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Valeria Bruni Tedeschi
     </category>
    
    <pubDate>Thu, 22 Oct 2026 09:02:09 -0500</pubDate>
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   <item>
    <title>London 2026 Review: CLUB KID, Jordan Firstman&apos;s Warm and Tragic Bad Dad Dramedy</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/sa_Club-Kid-poster_430-thumb-200x200-107153.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     A stealth rebuild of a middling Adam Sandler film proves to be one of the year's best and most affecting films.
     <p>
      [<a href="https://screenanarchy.com/2026/10/london-2026-review-club-kid-jordan-firstmans-warm-and-tragic-bad-dad-dramedy.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/london-2026-review-club-kid-jordan-firstmans-warm-and-tragic-bad-dad-dramedy.html</link>
    <guid>https://screenanarchy.com/2026/10/london-2026-review-club-kid-jordan-firstmans-warm-and-tragic-bad-dad-dramedy.html</guid>
    
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      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      London
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Adam Newport-Barra
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Cara Delevingne
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Colleen Camp
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Cristobal Tapia de Veer
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Diego Calva
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Eldar Isgandarov
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Jordan Firstman
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Reggie Absolom
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Saturn Risin9
     </category>
    
    <pubDate>Wed, 21 Oct 2026 19:02:07 -0500</pubDate>
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   <item>
    <title>Brooklyn Horror 2026 Review: ERIE, Debut Found Footage Horror Overcomplicates Its Own Style</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/sa_bhff_erie_2026_860-thumb-200x200-107148.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     In the late 1990s, the city of Erie, Pennsylvania, experiences an epidemic of inexplicable deaths. One of the victims is Iris Scott (Aimee Paxton), whose strange death in the woods is eventually ruled a suicide, like most of the other cases. Her sister, Stella (Carly Stewart), isn&rsquo;t content with the explanation and, having discovered that Iris isn&rsquo;t the only one, wants to dig deeper, roping their brother Oscar (Grant Crater) into her investigation. An aspiring journalist, Stella plans to tape the process and all potential findings in hopes that it might advance her career. As the title card at the start of the film informs us, these tapes will be later found in the possession of one of the deceased. Erie, which premiered at Beyond...
     <p>
      [<a href="https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-erie.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-erie.html</link>
    <guid>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-erie.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      Indie
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Alison-Eve Hammersley
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      BHFF 2026
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Brooklyn Horror Film Festival
     </category>
    
    <pubDate>Wed, 21 Oct 2026 13:02:01 -0500</pubDate>
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   <item>
    <title>Brooklyn Horror 2026 Review: SLAY, Witty Tribute to Classic Slashers</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/BrooklynHorror_SLAY-Review-thumb-200x200-107150.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     While AI obviously (and rightfully) suppressed pretty much all other dangers to humanity as the villain of our times, the rabbit hole that is social media and influencer culture is still too great a fodder for filmmakers to pass up. The paradoxical nature of this bubble, inhabited by people whom we call &ldquo;content creators&rdquo;, but who mostly produce something entirely ephemeral, is great material to have all kinds of fun with. Which is exactly what Kyra Elise Gardner&rsquo;s second feature, Slay, is doing, mixing the digs at the Gen Z-brand of pop culture with classic tropes of the good, old &ldquo;slice and dice&rdquo; subgenre. At the center of it all is our influencer final girl &ndash; Chloe Cruze (Zoey Luna, who also co-wrote the story...
     <p>
      [<a href="https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-slay.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-slay.html</link>
    <guid>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-slay.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      Festivals
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Indie
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      BHFF 2026
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Brooklyn Horror Film Festival
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Jimmi Simpson
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Kyra Gardner
     </category>
    
    <pubDate>Wed, 21 Oct 2026 12:02:12 -0500</pubDate>
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   <item>
    <title>WICKER Review: Witty Modern Fairy Tale Hits the Spot</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/Wicker 1-thumb-200x200-107136.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Olivia Colman, Alexander Skarsgård, Elizabeth Debicki, and Peter Dinklage star in prickly yet delightful film.
     <p>
      [<a href="https://screenanarchy.com/2026/10/wicker-review-witty-modern-fairy-tale-hits-the-spot.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/wicker-review-witty-modern-fairy-tale-hits-the-spot.html</link>
    <guid>https://screenanarchy.com/2026/10/wicker-review-witty-modern-fairy-tale-hits-the-spot.html</guid>
    
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     <category domain="http://www.sixapart.com/ns/types#category">
      Indie
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      US &amp; Canada
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Weird
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Alexander Skarsgård
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Elizabeth Debicki
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Olivia Colman
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Peter Dinklage
     </category>
    
    <pubDate>Wed, 21 Oct 2026 11:00:00 -0500</pubDate>
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   <item>
    <title>Brooklyn Horror 2026 Review: PATHETIC FALLACY, True Big Bold Beautiful Journey </title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/sa_pathetic-fallacy_860-thumb-200x200-107140.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Every film festival program, no matter how expansive and diverse, usually has a bunch of movies that objectively aren&rsquo;t bad, but aren&rsquo;t particularly great either. When thinking about such films and what might be weighing them down, the conclusion you come to most of the time is that, while often adequately executed, they are simply not original enough to evoke any true feeling. From scene to scene, or sometimes, from frame to frame, you more or less know what to expect next, which traditionally makes it harder to be really excited about anything that happens on screen. Adam Egypt Mortimer&rsquo;s Pathetic Fallacy, which premiered at Fantastic Fest and was recently shown at the Brooklyn Horror Film Festival at one of their secret screenings, doesn&rsquo;t have...
     <p>
      [<a href="https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-pathetic-fallacy.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-pathetic-fallacy.html</link>
    <guid>https://screenanarchy.com/2026/10/brooklyn-horror-2026-review-pathetic-fallacy.html</guid>
    
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      Festivals
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Adam Egypt Mortimer
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      BHFF 2026
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      Brooklyn Horror Film Festival
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Pathetic Fallacy
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    <pubDate>Tue, 20 Oct 2026 12:02:12 -0500</pubDate>
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   <item>
    <title>VIRGINA Review: Boys Do Cry</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/virgina 4-thumb-200x200-107143.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     While not in every culture in human history has elevated male children to the point of all but killing (or even that) their female children, too many have long-held beliefs that boys bring luck and prosperity, whereas girls (despite doing at least half if not more of the work to maintain a society) are a burden. But gender is a social construct, we can&#39;t control the weather, and if you decide girls are as important as boys, you might find your society better for it. But this was not the way in some regions of the Balkans, even as recently as the late 19th century, and a disturbing custom is the focus of&nbsp;Virgina, written and directed by Serbian filmmaker&nbsp;Srđan Karanović (Something in Between,&nbsp;A Film Without...
     <p>
      [<a href="https://screenanarchy.com/2026/10/virgina-review.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/virgina-review.html</link>
    <guid>https://screenanarchy.com/2026/10/virgina-review.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      Europe
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     <category domain="http://www.sixapart.com/ns/types#category">
      Indie
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     <category domain="http://www.sixapart.com/ns/types#category">
      International
     </category>
    
    
    <pubDate>Tue, 20 Oct 2026 11:00:00 -0500</pubDate>
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   <item>
    <title>Toronto After Dark 2026 Short Film Short Review: MOIRA, An Ambiguous European Arthouse Gem</title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/Moira-ShortFilmReview-thumb-200x200-107135.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     A patient&nbsp;shot of a damp London metro platform opens Anastasia Mischenko&#39;s superlative short film Moira. It&#39;s a shot that instantly evokes the static-adroit Euro-cinema of early 2000s Bruno Dumont, and the more recent work of Milagros Mumenthaler (The Currents). A woman leaves the platform and returns home to discover her partner in the middle of vocal sex. She stands in the threshold of the doorway, not entirely in the house, while the camera holds on her face as she processes the sounds coming from the bedroom upstairs. She leaves and makes her way across London on transit, through bleak, partially-desaturated autumn fields, bricked alleyways, and at one point through the Greenwich foot-tunnel&nbsp;(under the Thames) in all its curved walls and fluorescent lit glory. &nbsp; The...
     <p>
      [<a href="https://screenanarchy.com/2026/10/toronto-after-dark-2026-short-film-short-review-moira.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/toronto-after-dark-2026-short-film-short-review-moira.html</link>
    <guid>https://screenanarchy.com/2026/10/toronto-after-dark-2026-short-film-short-review-moira.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      Europe
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     <category domain="http://www.sixapart.com/ns/types#category">
      Toronto After Dark
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Aleksandra Florinskaya
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Anastasia Mischenko
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Arthouse
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      European
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      France
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Infidelity
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     <category domain="http://www.sixapart.com/ns/types#tag">
      London
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Missed Train
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Moira
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Short Film
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Toronto After Dark
     </category>
    
    <pubDate>Tue, 20 Oct 2026 10:02:10 -0500</pubDate>
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   <item>
    <title>Toronto After Dark 2026 Review: MY LOVE FOR YOU IS DEEP, BUT THE DEVIL LOVES ME DEEPER</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/TADFF_Review-my-love-for-you-is-deep-but-the-devil-loves-me-deeper-thumb-200x200-107131.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Alice is a dreamer. She wants true love, intense love, and reciprocated love. She is not finding it in the clubs with her girlfriend, though, and her current boyfriend is clearly not into her. You can hear it in his voice on the phone before he brutally dumps her in person. But she is young, and attractive, and willing to do anything, including a pact with the Devil, a glowing-eyed man who prefers the booth in the back of the local dive bar, to make this happen with the next fellow who comes along. That would the be tall, dark and slightly dim Luke, a goth-adjacent photographer with a slow manner of speaking and a voice that is a dead ringer for Ryan Gosling. Pacts...
     <p>
      [<a href="https://screenanarchy.com/2026/10/toronto-after-dark-2026-review-my-love-for-you-is-deep-but-the-devil-loves-me-deeper.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/toronto-after-dark-2026-review-my-love-for-you-is-deep-but-the-devil-loves-me-deeper.html</link>
    <guid>https://screenanarchy.com/2026/10/toronto-after-dark-2026-review-my-love-for-you-is-deep-but-the-devil-loves-me-deeper.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
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      Indie
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     <category domain="http://www.sixapart.com/ns/types#category">
      Toronto After Dark
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     <category domain="http://www.sixapart.com/ns/types#category">
      US &amp; Canada
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Beck Bennett Sex
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      But the Devil Loves Me Deeper
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Casey Donahue
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Emily Whittemore
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Indie
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Jack Ryan Beckner Bambina
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      James Urbaniak
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Kyle Mooney
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Mike Mitchell
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      MiniDV
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      My Love For You Is Deep
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      TADFF
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Toronto
     </category>
    
    <pubDate>Mon, 19 Oct 2026 14:02:02 -0500</pubDate>
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   <item>
    <title>CHRISTIANE F. 4K Review: Under the Influence</title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/sa_criterion-christiane_430-thumb-200x200-107134.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     "We could be heroes," sings David Bowie, if only these kids could get off the heroin just for one day. 
     <p>
      [<a href="https://screenanarchy.com/2026/10/christiane-f-4k-review-under-the-influence.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/christiane-f-4k-review-under-the-influence.html</link>
    <guid>https://screenanarchy.com/2026/10/christiane-f-4k-review-under-the-influence.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
      Reviews
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     <category domain="http://www.sixapart.com/ns/types#category">
      Europe
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     <category domain="http://www.sixapart.com/ns/types#category">
      International
     </category>
    
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Natja Brunckhorst
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      New German Cinema
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Uli Edel
     </category>
    
    <pubDate>Mon, 19 Oct 2026 13:02:01 -0500</pubDate>
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   <item>
    <title>Chicago 2026 Review: A CITY IN THE FOREST, Rallying Cry for the American Left </title>
    <description>
     <![CDATA[
     
      
       
        <img src="https://screenanarchy.com/assets_c/2026/10/sa_acityintheforest_still_01_forest_defender_860-thumb-200x200-107133.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Throughout A City in the Forest, which tracks various forms of opposition to Atlanta's "Cop City" from 2020 to 2023, the filmmakers shout that they are press to ensure that they are not attacked by police who are violently arresting and assaulting protesters. In two scenes, people being arrested cry out to the filmmakers for help, but they do not engage; remaining as close as they can to capture the cops' violence while doing their best to avoid it themselves. The inclusion of these moments forces us to consider the many forms combatting state violence (against people and the environment) can take, and either question or affirm the importance of documentation as a form of protest in itself. The choice to include what some on...
     <p>
      [<a href="https://screenanarchy.com/2026/10/chicago-2026-review-a-city-in-the-forest-rallying-cry-for-the-american-left-1.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/chicago-2026-review-a-city-in-the-forest-rallying-cry-for-the-american-left-1.html</link>
    <guid>https://screenanarchy.com/2026/10/chicago-2026-review-a-city-in-the-forest-rallying-cry-for-the-american-left-1.html</guid>
    
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Chicago International Film Festival
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      CIFF
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Lev Omelchenko
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Nolan Huber
     </category>
    
    <pubDate>Mon, 19 Oct 2026 11:02:11 -0500</pubDate>
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   <item>
    <title>Camera Japan Rotterdam 2026 Review: CHIMNEY TOWN: FROZEN IN TIME </title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/CJRotterdam2026-ChimneyTownFrozeninTime-main-thumb-200x200-107124.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     Six years ago, CGI-special effects specialist Hirota Yuusuke directed his first feature film, the anime Poupelle of Chimney Town, which I happened to like a lot. He just released his second feature, and it is... a sequel to Poupelle of Chimney Town. That first film was based on a series of children's books written by Japanese comedian Nishino Akihiro, and apparently there is plenty more where that came from. Nishino wrote the script for this sequel and helped produce it. The new film is called Chimney Town: Frozen in Time and played at the Camera Japan Festival in Rotterdam and Amsterdam, where I caught up with it. Chimney Town: Frozen in Time takes place some time after the events in Poupelle of Chimney Town. In...
     <p>
      [<a href="https://screenanarchy.com/2026/10/camera-japan-rotterdam-2026-review-chimney-town-frozen-in-time.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/camera-japan-rotterdam-2026-review-chimney-town-frozen-in-time.html</link>
    <guid>https://screenanarchy.com/2026/10/camera-japan-rotterdam-2026-review-chimney-town-frozen-in-time.html</guid>
    
     <category domain="http://www.sixapart.com/ns/types#category">
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      Camera Japan
     </category>
    
    
    <pubDate>Sun, 18 Oct 2026 12:00:05 -0500</pubDate>
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   <item>
    <title>ONCE UPON A TIME IN HARLEM Review: Mesmerizing Blast from the Past </title>
    <description>
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        <img src="https://screenanarchy.com/assets_c/2026/10/sa_once_upon_a_time_in_harlem_ver3_430-thumb-200x200-107123.jpg" width="200" height="200" style="float: left; margin-right: 10px;"/>
       
      
     
     In 1972, director, editor, producer, and actor William Greaves, whose body of work includes Symbiopsychotaxiplasm: Take One (1968) and Nationtime (1972), gathered the remaining luminaries of the Harlem Renaissance in Duke Ellington&rsquo;s apartment on 157th. This meeting resulted in four hours of footage but didn&rsquo;t become a movie &ndash; until now. Greaves&rsquo;s son, David Greaves, was one of four cameramen who were involved in the original shoot. Decades after the fact and years after William Greaves&rsquo;s passing in 2014, David edited the footage of that meeting, compressing it into an hour and forty minutes of the enthralling whirlwind that is Once Upon a Time in Harlem. Based upon a formal description, it might seem to the audience going in blindly into this film, which was...
     <p>
      [<a href="https://screenanarchy.com/2026/10/once-upon-a-time-in-harlem-review.html">Read the whole post on screenanarchy.com...</a>]
     </p>
     ]]>
    </description>
    <link>https://screenanarchy.com/2026/10/once-upon-a-time-in-harlem-review.html</link>
    <guid>https://screenanarchy.com/2026/10/once-upon-a-time-in-harlem-review.html</guid>
    
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      David Greaves
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     <category domain="http://www.sixapart.com/ns/types#tag">
      Harlem Renaissance
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      Once Upon a Time in Harlem
     </category>
    
     <category domain="http://www.sixapart.com/ns/types#tag">
      William Greaves
     </category>
    
    <pubDate>Sun, 18 Oct 2026 09:02:02 -0500</pubDate>
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